10/12/2016 Amsterdam, Misericorida, Oude Kerk

26/06/2016 Amsterdam, Burgerweeshuis, Sandberg Graduation Show

Readings with speakers with aphasia
performance (2016-2017)

performed by Tamara van Scheppingen and Genetic Choir,

These readings are a play between a disordered voice, her surrounding and a choir. It's form took shape during my engagements with several people with aphasia, a speaking disorder. Together with them I explored how relations take shape in situations where existing ways of communication are affected by the absence of speech, alterations in tone or voice and interruptions in articulations and rhythm. In situations where words and gestures lose their existing meaning, relations take shape through fragile, physical and complex means of exchange. The porous interplays I encountered, revealed new forms of communication that I wanted to expose. But, instead of symbolically representing the aesthetic of a disordered interplay, I like to approach the moment of the performance as a social space in which more complex, physical and fragile relations are practiced together.

~ A reading of 7 voices
Sandberg Graduation Show 2016, Burgerweeshuis Amsterdam (NL)

These readings are a play between a disordered voice and her surrounding. The play begins with the voice of a woman with aphasia. The voice of the woman describes the space that surrounds her. She repeats her herself, hesitates. Other voices appear and echo the voice of the speaking woman. Seven voices circle around in space and interact. The interaction shifts between the voices supporting the woman in her speaking by softening her language disorder, and the voices exploiting the voice of the woman, by highlighting its fragility and absence.

Here you can see a video documentation
Here you can listen to an audio fragment:

~~ A reading of 6 voices, 30 minutes
Misericordia, Oude Kerk (NL), winter 2016

Six voices read an interpretation of the text Who's my neighbour? A woman with a speaking disorder speaks in interaction with a choir that echoes the quality of her voice.

I am very thankful to Tamara van Scheppingen, Genetic Choir, Afasiecentrum Amsterdam, Prof. dr. T.A. Abma, Wieke ter Borg and Susan Woelders from the Metamedica department of VuMC Amsterdam.